Those who survive to graduate become major or minor characters in fairy tales. Contrasts between human emotion and commitment and the cold, often cruel magic and mischief of the fairy realm create terrific tension and afford opportunities for heroism for the young protagonists.Ĭhainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.Įvery four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. The permeable border between the magical and the ordinary is described with matter-of-fact authority the convincing result is a fully realized world where humans and fairies occupy a similar landscape to very different ends.

The sure-handed storytelling creates a completely credible setting-by turns violent and tender, sinister and poignant-in which those who can see fairies are most at risk of harm from the magical beings. Rowan’s quest to find and return her brother James to real England is finally aided by the residents of Elvesden Manor through a series of problem-solving challenges and a search for the 13 magical charms from an old bracelet. Harrison’s satisfyingly hefty and page-turning adventure focuses on Rowan, the girl who willingly replaced Tanya as captive of the fairy realm. In an absorbing sequel to The 13 Treasures (2010), Red pursues her stolen baby brother through the parallel world of fairies, negotiating a landscape of deliciously sinister and dreadful magical creatures, finally discovering her own heartrending secret.

Thirteen curses